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JUNE 15 at 7 p.m.
Rachael Davis & Dominic John

Opening act by Jetty Rae

Rachael Davis JPEG
Rachael Davis
Rachael Davis has been singing on-stage since she was two years
old. Born to parents who never intended to keep her very far from
music for very long seems to have made all the difference in the world.
Before she was mobile Rachael would be set in a car seat and placed in
the middle of a song circle and, with silver bells on her ankles, she
would shake her feet to the rhythm. At one-and-a-half, young Rachael
was singing "Somewhere over the Rainbow" to anyone who asked, and at
two she started performing with her parents on stage.
Born in Lansing, Michigan, Davis spent almost six years of her life in
Chicago before her parents -- musicians as well -- settled in Cadillac,
Michigan, where she was constantly nurtured and encouraged by family,
friends, and other respectable musicians. At the ripe old age of eight,
Davis sang on second stage at Wheatland Music Festival. Irish
chanteuse Maura O'Connell was backstage, and when Rachael came off
the stage, Maura went up to her and grasped Rachael's face with both
hands: "Never stop doing it for the love of it!"
Davis has spent most of her life involved with music in one way or
other: whether as the lead in three of her high school's musicals;
singing with her family-based group Lake Effect; or performing solo
with a few friends as ‘Special Guests.’ In lieu of her fourth year of
high school, she attended Interlochen Arts Academy in Northern
Michigan -- which counts among its alumni Peter Yarrow, Anne Hills and
Jewel (Kilcher).
4.9.04
In the span of her so-far twenty-two years, Rachael has shared the
stage with Boston’s Vance Gilbert, folk divas Claudia Schmidt and Sally
Rogers, Prairie Home Companion regulars Robin and Linda Williams, jazz
legends Marcus Belgrave and Winston Walls, amongst others. She has
opened for Dar Williams, David Lindley, Garnet Rogers, Chris Smither,
Dave Carter & Tracy Grammer, Richard Shindell, Susan Werner, Peter
Mulvey, Eddie From Ohio, Nerissa and Katryna Nields, The Kennedys,
Clive Gregson, Hugh Blumenfeld, David LaMotte, and many more.
September 2001 found Rachael moving from Michigan to Boston.
Within the span of seven months was awarded a Boston Music Award
for Best New Singer-Songwriter. In 2002, Rachael contributed "Lonely
When You're Gone" to the Respond II compilation, which also includes
such luminaries as Joan Baez, Dolly Parton, Ani DiFranco and Eryka
Badu.
With musical influences that range from the jazz styling of Ella
Fitzgerald to the soulful pop vocals of Patty Griffin, Davis is a
contemporary songwriter who is equally at home singing traditional
ballads or Cole Porter or Joe Henry. In April, 2001, she released
Minor
League Deities
, her debut CD, a collection of original songs that
welcomed performances by some of those whose musical and personal
paths she has crossed, including Claudia Schmidt.
Gerald Ross, of the recently re-united Lost World String Band,
would often tell a three year-old Rachael to "Never get a hairdo." Of
course, she didn't know what that meant then, but she not only
understands it now, she heeds it. With good advice like that, it's
impossible for Rachael Davis to lose sight of what is really the
important thing… the music.
4.9.04
Quotes on Rachael Davis…
"[Rachael sings] with the voice of the most beautiful color you've never seen.”
Mary Lou Lord
"We don't have Eva Cassidy anymore but we do have Rachael Davis."
Susan Werner
"With a voice that moving - we could listen to her sing the alphabet all night and
that would be enough."
Eddie From Ohio
"Rachael Davis . . . has one of those voices that you know will somehow find its
way to a national spotlight . . . keep an eye -- and an ear -- out for her."
Ellis Paul
"Rachael is a bold explorer in the undefined and powerful territory of her
primary instrument - her human voice - and the stories that come through it."
Claudia Schmidt
"Davis is off to a faster start than any Boston-based songwriter in memory."
Scott Alarik (Boston Globe)
"Davis commands a voice older than her years, an instrument that is equally sure
expressing strength and vulnerability… her songwriting is fearlessly eclectic."
Ben Edmonds (Detroit Free Press)
"Rachael shows a refreshing depth to her writing, while at the same time
keeping a bit of playfulness. To top it all off, there's Rachael's voice. She could
knock down walls with it…”
Matt Smith (Club Passim/FolkWeb)